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How NOT to get bored with knitting

10/5/2020

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Picture this…
Someone wants to learn to knit.  They pick out a yarn, needles and an easy pattern for a scarf.  They start to knit, they get the hang of it, now it’s getting easier, then it’s pushed aside because it’s boring. So much for knitting. 

Has this happened to you or someone you know?  Do you have works in progress that are sitting aside, waiting to be finished?  I’ve been knitting my whole life, and I have to tell you, that it’s like root canal for me to knit a stockinette sweater.  Whether you crave challenges or have a short attention span, it’s important to understand what type of knitter you are. 

I asked a very social knitter friend recently if she wanted to knit a sample for me and she asked “It isn’t going to be one of those patterns where I have to look at the chart is it?” 

I took a step back and thought about her personality.  She knits in circles of friends and talks.  She knits with one eye on her toddler and jumps up every 10 minutes to do something.  She knits beautiful work but her knitting style is different from mine.  She wants to come back to her knitting and squeeze in another 10 minutes of knitting without having to think about where she is in the pattern. 
 
I don’t knit like that.  I knit for long stretches at a time.  I love to knit in the evenings when watching a movie (a good British murder movie even better).  I don’t need to keep my eyes peeled to the screen.  I can glance from TV to chart and understand both the movie and my knitting.  It quiets that fidgety feeling that I get when sitting still.  My hands are moving, my mind is working, and I’m engrossed in a good plot (hopefully).   When I struggle, is when I'm working the same stitch over and over again, without any diversions. No shaping, no color change, no stitch change, just monotony.  

There is a type of knitting for everyone and every scenario.   There are times when you need a smaller project, for traveling for example.  But it’s helpful to think about what type of experience the knitting project is going to provide before you decide.

I’ve been giving the psychology of knitting a lot of thought lately.  I designed St. Kilda with this in mind.  I put the exciting, fun, Fair Isle color work at the beginning, the hem, then when the fun part was over the sweater transitions to Stockinette so you can finish it up quickly before moving on the Fair Isle cuffs of the sleeves. 
I found great enjoyment in working this type of Jekyll and Hyde project.  My next application was the Melk Abbey Cardigan.  With a lacey hem (that is easily memorized), the pattern changes to a combination of cables and openwork on the body but stops midway up (because we don’t want to get bored now do we?) and switches for the rest of the body.  The pattern change holds the interest of the knitter and it ends up coming together quickly.
 
A yarn shop owner once told me “who wants to knit a sweater that you can buy on the rack at Kohls?”   I think about that all of the time!   There are basic sweaters that you enjoy wearing, but you don’t want to knit them.  I love my little black Stockinette cardigan.  I wear it over sleeveless dresses most of the summer, but I don't have the willpower to knit it. 

I’m very much a process knitter.  Don’t get me wrong, the finished product has to be amazing!  It has to fit into my wardrobe and be artistic, intricate and creative.  But it’s that “intricate” part that is necessary in keeping me engaged through the process.
 
I challenge you to do a little self-analysis about your personality.  Then think back to past knitting projects.  Which have you enjoyed the most?  Which ones are the most gratifying?  Which ones are you actually getting some use out of?  If you think knitting shawls is fun, but your closet has a few finished shawls folded nicely and never worn, were they really that gratifying in the end?  What excites you when you knit?  Put this self-awareness into action when you pick out your next knitting project and see how it goes for you.  Knitting is so versatile, just like knitters.  You are unique and the process that you bring to your knitting is yours alone. 
 
“Know thyself.”  Thales of Miletus
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Irving Pullover
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Melk Abbey Cardigan
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St. Kilda Sweater
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Central Double Decreases

10/1/2020

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There are so many ways to remove stitches in knitting, and the end result is dramatically different when you're using the Central Double Decreases.  Take a look at each technique below.
Picture
A
Picture
B
Slip 2 sts, knit 1, pass both slipped sts over stitch just worked.  

Abbreviated as:  s2kp2   *or* sl 2, k1, p2sso
Slip 1 st, k2 sts together, pass slipped st over stitch just worked.

Abbreviated as:  s1k2p1  *or*  sl 1, k2tog, psso 
Central Double Decreases are often used with the front ribbing of V-neck sweaters, to shape the crown of a hat, and in lace knitting. 

When working a Central Double Decreases (CDD) as shown in image A, a column of knit stitches form along the center with the decreases neatly tucked under the center vertical line.  This is most often used when working V-necks or hats.  The effect looks unchallenged with minimal disruption to the pattern visually.  Hats will be seen from the top with straight lines pointing towards the center, instead of 
a pinwheel effect that often occurs with a series of regular left or right slanting decreases.  If you use this method in lace knitting, it will not be as attractive or eye catching, but it will serve the purpose of balancing out your stitch counts.  

When working the decrease as shown in image B, the center vertical line runs under the decrease stitches from both the left and right.  This is the one most often used in lace.  When spaced several rows apart, this gives the illusion that the center row weaves above and below the decreases.  The decrease forms a left slanting decrease which folds over onto the center line and the vertical line is broken.  This chopped appearance makes the eye pull to the decreases rather than to the center line and is most often used with working the decrease in connection with yarn overs as in lace knitting. 

Each decrease is attractive in its own right, but they look totally different.  For artistic purposes, you would decide whether you wanted a straight line or these little slanted tucks along the decrease line. 

The next time you're working a pattern that calls for a central double decrease, look at the abbreviation or glossary to find out the method being used.  You can use either method interchangeably without affecting the instructions or stitch count.  You will work up to the first stitch of the three stitches that you want to decrease into one stitch, then work the method you prefer.   
 

References:
Buss, Katharina.  Big Book of Knitting.  New York, NY:  Sterling Publishing Co., 2001.

Holladay, Arenda.  Blog “Double Decreases.”  Arendaholladay.com.  13JUL12. <http://www.arendaholladay.com/2012/07/it-has-been-unpleasant-week-which-began.html>;

Starmore, Alice.  Alice Starmore’s Book of Fair Isle Knitting.  Newton, CT:  The Taunton Press, 1988.  

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    Author:

    Hello!  I'm Donna.  I enjoy designing knitwear that is artistic, intricate and comfortable.  I specialize in sweaters with a contemporary silhouette.  

    My website is all about the designs, but this blog is a bit more personal.  This is where I share helpful tips, knitting insight, and behind-the-scenes vision into the designs.  

     
    Knitting is a wonderful skill full of challenges and joys. It provides meditative qualities that are addictive.  It is a form of individual expression and pride.

    Knitting is an outlet for creative thoughts and problem solving.

    Thanks for visiting!
    Donna

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